I fell into clay while staying with Shirobey Kobayashi and his family in Japan, near Mashiko. All of his pottery work is wood fired and since then, I have longed to have access to a wood kiln. Last summer, I finally had the chance to fire a body of work in three different wood and soda kilns, at the Guldagegaard International Ceramics Center. It is a process that I love for being present with the pieces through the whole firing, feeding the fire, listening to it, and accepting once again that the flames have the last word.

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